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A Minstrel in Moray

by Bruce Coughlan

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1.
A MINSTREL IN MORRAY Oh the banks of the Lossie or the banks of the Spey Oh the banks of the Lossie or the banks of the Spey I woke at dawn; nearby, a bell was ringing Somewhere a bird was singing; I don't know I could hear, lorries grinding gears In a roar that echoed from the high street below And like a drum, my head was beating A not-so-gentle reminder of the night before I shook my head, and set the world to turning With thoughts of daylight burning; places to go These are the days I wish I'd known better A repentant sinner in the cold light of dawn I should have learned, sooner than later But love her, or hate her, I should leave her alone I splash my face in water, cold and clear The day drab and drear, but I don't care Sharp as a thistle, I hear a kettle's whistle The smell of breakfast frying, drifts up the stair These are the thoughts that set me thinking And these are the words as they came to my mind I could live the life of a tinker As a poet and a drinker among people so kind The nights are long, the hours are filled with laughter The nights are stronger than whisky-o Down the lane, somewhere a fiddle's playing Somewhere the dancers swaying to and fro Bend my ear with a well-weathered story Sing me your songs of the wide-open road Tell me your tales of long-ancient glory Of heroes or highwaymen, or battles of old It's half of four; the drink's got the best of me Devil take the rest of me in these small hours It won't be long, till morning comes along And I'll be up and gone and on my way I'd spend the days, a minstrel in Moray If I had my choice, I might be there today I'd sing the charms, Findhorn to Portknocky Oh the banks of the Lossie or the banks of the Spey
2.
ISLES OF STONE I guess it was fate, a fancy of fortune That first brought me here to walk on your shores I did not come with notions about you But charms so abound you, it's hard to ignore You islands fare, like picture book pages The mystic reverie that burns in your veins Your weathered face; a true rock of ages Is cast in my memory, forever to remain And I wish I was in Kirkwall's cathedral I wish I was where the mighty heroes lay What dark, true tales; thinking of St Magnus With a solitude that stirs right to the bone On isles of stone Was it here, the brave last provisioned? When they crossed the wild ocean centuries ago? And Logan's Well on the high street of Stromness Still watches the ships as they come and they go I wish I was in the Parish of Orphir I wish I was by the Hall of Clestrain Walking along and thinking of the Arctic While a waning sun sets low on Scappa Flow Over isles of stone It's strange to miss a place that makes you feel lonely It's sad to miss a place that can make you feel so small A strange, uneasy feeling that your only passing through Just a pilgrim in the scheme of it all Still I wish I was within the Stones of Brodger I wish I was in the ruins of Scarra Brae In a cold north rain, I'm thinking of the ages And wishing I had something more to say And I wish I was by Kirkwall's cathedral I wish I was in the pubs along the quay In dark, true ales, I'm drinking with St Magnus While the haunted winds of waiting winter moan Over isles of stone
3.
KINREEN O' THE DEE I’ll blaw up my chanter, I’ve sounded fu’ weel To mony a ranter, In mony a reel An’ pour a’ my heart i’ the win’bag wi’ glee Och hey, Kinreen o’ th’ Dee The auld hoose is bare noo, a cauld hoose to me The hearth is nae mair noo, th’ centre o’ glee Nae mair for th’ bairnies the bield it has been Och, hey! Kinreen o’ th’ Dee For licht was th’ lauchter on Bonny Kinreen An licht was the fit-fa’ that danced o’er the green An’ licht were the hearts a’, and lichtsome the eyne In Bonny Kinreen The auld kirk looks up o’er the dreesome auld dead Like a saint speaking hope o’er some sorrowfu’ bed Fareweel the auld kirk, and fareweel the kirk-green Och, hey!, Kinreen o’ the Dee Fareweel the auld braes that my han’ keepit green Fareweel to the places we’d wonder unseen Ere the licht o’ my heart cam to Bonny Kinreen Kinreen o’ the Dee Though little the thing be, oor ain we can ca’ That little we cling be the mair that it’s sma’ Though puir was oor hame, and though wild was the scene Och, hey!, Kinreen o’ the Dee The place we wa’d cling to, puir simple auld fools O’ oor births and oor bridals, oor blisses an’ dools Where the wee bits o’ bairnies lie cauld wi’ the mools In Bonny Kinreen The auld folk, the young folk, the wee anes an’ a’ A hunder year’s hame birds are harried awa’ Harried an’ hameless whatever wind blaws Och, hey!, Kinreen o’ the Dee Och, hey!, Kinreen o’ the Dee
4.
WHEN THE RAIN FALLS It's an Autumn day in Inverness, and soon the night will follow day The sky is leaden, in a thousand shades of grey And it looks like rain,  it looks like rain Cold wind is howling up the street November’s rattling at the door No use pretending, ‘cause we’ve seen it all before And if it feels like rain, well then it must be rain When the rain falls down, and the rain falls, around my head And the rain will wash away the pain When the rain falls down I’m huddled in a doorway,  eating "chippies" from a sack A stream of muddy water running down my back And it’s always the rain, always the rain When the rain falls down, and the rain falls all around my head And the rain will wash away the pain When the rain falls down I’ve got this muddy water running through my veins There’s never rain enough, to wash my blues Awa-ay!  a-hey-hey-yeah?  Wa-ay! a-hey-yeah! Awa-ay!  a-hey-hey-yeah?  Wa-ay! a-hey-yeah! Day is shifting into shadows, mirrored on the flagstone street The sun is sinking in a brilliant shock of blue And I’m thinking of you, I’m thinking of you When the rain falls down, and the rain falls down around my head And the rain will wash away the stains When the rain falls down When the rain falls down When the rain falls down
5.
A MILE ABOON THE SPEY I rose up wi' the larks at the brak' o' day And set my thochts on a grand stravaig Through familiar haunts ance mare tae stray Afore I gang awa' I waulked doon the burn tae th' Spey side braw Where salmon leapt in th' bricht day's sun And the shy roe deer they scamped awa Fare blithe were they tae see But as I cam 'roon 'neath the auld brig span Where beech trees tower owe'r the yella whins Oh, my heart grew sad, as a cauld Firth wind Cam creepin' up ow'er the Spey We hae sung and ranted th' whole nicht lang And ne'er hae wanted for pint nor dram Fae the auld brig eastword I waulked a mile Weel met wi' lauchter, an' mony a smile For they ken it will aye be a lang, lang syne That I'll be gane awa' Gin I played the minstrel my lang day's end I'll ne'er hae kenned sich a time as then 'till I see your welcome smiles again A mile aboon the Spey
6.
Stone House 03:52
THE STONE HOUSE In the thrumming of the rain, lies a lonesome sound There’s channels in the slate, where the water washes down There's a challenge in the wind, and in the gathering night In shades of moss and lichen, the black, the green and grey A vast, sweeping countryside is fading with the day But etched on the horizon, she towers before the light As through the countless seasons, since no one remembers when For whatever rhyme or reason This stone house still stands…she still stands Rise up ye withered harridan, standing black against the sky Reaching out your stony limbs, to curse the bitter night A wind whips up the leaves around, you can hear the owlets cry Though tempered by the wind and rain that shaped a rugged land She bares the tempest yet again And the stone house still stands She still stands Long after her oaken beams have vanished into dust After broken bars and chains have faded into rust In the face of passing ages lies a constant you can trust The seasons storms rage on and on As against the fading light She braces up her ancient walls To the cold of the night With prideful work a mason’s hand, a thousand years since gone Through each archway and lintel laid His signature in stone
7.
APRON STRINGS From a nail by the door Hangs a rag, pale and worn Though the wealth of its service, cannot be ignored For it once stretched as wide As my tender young dreams And oh, the lessons I learned by those auld apron strings Where it’s threadbare and torn Shows the toil, tears and wear There, she once held my small world from all fear, or care With her arms opened wide How her smile gave me wings And oh, the tales I first heard, by those auld apron strings How well I recall When those colours shown bright Amidst clamour and clatter, her voice, pure and light It was there I could sigh And it’s there I would sing And oh, the joy I knew then, by the auld apron strings
8.
SWEET WATER AND WHISKY When I was a child, I’d drink sweet water Clear, sweet water from the fresh, cold stream I never had a care or a trouble Or strayed from a path, that was pure and clean When the ways of the world leave a stain on your pallet Only hard liquor can wash it clean If it kicks like a mule, you can bet I’ve had it Trying to wash off the dust and the dirt I’ve seen Beer by the pail, and wine by the gallon Hard, hard liquor, every strength and style But I’ll never get enough of that clear, sweet water Or pure malt whiskey ‘till the day I die For every young man with a thirst for adventure There’s liquor from every point on the globe I’ll leave it tae th’ Scots fer th’ pure, malt whisky There’s nothin’ much sweeter in the world, to know You can take your bourbon, take your corn whiskey Throw ’em in a sack, in to the deep blue sea But save me just enough of that pure, malt whisky And I’ll be as happy as a man can be These years gone by, I’ve begun to mellow Not hard ‘round the edges as I used to be I take a little drop of that clear, sweet water Whenever I take of the malt whisky You can save me all of your grand elixirs Spare the mixer and I’ll do just fine If I take a little drop of that pure, malt whisky And drink sweet water until the well runs dry But if you give me just a drop of that clear, sweet water I’ll drink malt whisky ‘till the barrel runs dry
9.
OWER LAND AWA' The day that ye bade me fareweel My hairt was like to break I turned awa’ wi’ mony a sigh An a’ just for your sake The joys an’ pleasure noo I share Ah! Me, are unco sma’ The rosy blush I used tae wear Has faded clean awa’ Oh, dinna bide ower lang awa’ Gin ye ha’e lo’e for me For, gin ye dae, in spite o’ a’ In sorrow will I dee At hame I daurna mak’ nae mane Sin’ lo’e has been my fate But, like the dove, I mourn my lane Berefted o’ my mate In vain tae me the birdies sing Doon by the trysting tree; In vain tae me the floories spring Sin’ yer nae there wi’ me Oh, gin ye langer bide awa’ Ere surly winter rave, The mavis at the evenin’s fa’ Will chant aboon my grave Oh, dinna bide ower lang awa’ Gin ye ha’e lo’e for me For, gin ye dae, in spite o’ a’ In sorrow will I dee

about

Scotland has entirely captured my fancy, the North East in particular. The beauty, the culture and the genuine warmth of character you find throughout. What really stands out (besides the single malt) is the power and beauty of the music.

Losing myself completely in all things Scottish, I sought to express myself. A Minstrel in Moray is an attempt to find my own progressive voice within Scots-Celtic Music.

credits

released June 1, 2014

Produced & mastered by Joby Baker

All songs by Bruce Coughlan (SOCAN) 2009 except: Kinreen o’ the Dee – music by Bruce Coughlan, lyrics from The Piobrach O’ Kinreen by William Forsyth (1818–1879), Apron Strings – music by Phil Cunningham, lyrics by Bruce Coughlan and Ower Lang Awa’ – music by Bruce Coughlan, lyrics by James McQueen of Forres, published 1905. Additional Gaelic lyrics by Mary Ann Kennedy

Recorded and mixed at Baker Studios Ltd., Victoria, BC
Additional tracks recorded at Watercolour Music, Ardgour, Scotland

Bruce Coughlan – 1980s Jean Larrivee D5 dreadnaught guitar (Mahogany), 1927 Ludwig “Kingston” tenor banjo, 1940s Gibson TG 50 tenor guitar (Mahogany), Casey Burns keyless wood flute (Mopane), Elf Song D Whistle (West Coast Whistle Co.), Soodlum D whistle, Antonio Duarte Portuguese cittern (circa 1900) 1965 Gibson “Heritage” dreadnaught guitar (Brazilian Rosewood), 1982 Takamine classical guitar (Rosewood) Nashville mandolin (plywood).

Joby Baker – 1939 Kay upright bass, Yamaha C5 grand piano (spanky new), 2005 Gretsch kick & toms, 1959 Rogers snare drum, Istanbul cymbals, 1940s Gibson TG 50 tenor guitar (Mahogany), DW Karn pump organ (circa 1900), wood shaker & maraca (origins unknown), Wurlitzer piano, Hammond B3, hose
Mary Ann Kennedy – Gaelic vocals on Ower Lang Awa’
Artwork & design – Carylann Loeppky

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Bruce Coughlan Maple Ridge, British Columbia

Pacific Canadian-based recording & performing artist, Bruce Coughlan has spent decades making Acoustic Roots Music Music of all descriptions. An expressive singer and rock-solid guitarist, Bruce is driven by one guiding principle: It's all about the Song. ... more

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